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Is Ouiary the Rachel Dolezal of the art world? How, you may be wondering, did the artist, who is obviously white, pull off pretending to be Chinese for so long? We highly doubt Ouairy will experience the same fate. That which we wish to keep hidden, becomes visible.

That of which we do not wish to talk, becomes public. From taboo to embarrassment, from primness to awkwardness, from blushing to guilty pleasures: this exhibition sheds light on shame, a feeling which is difficult to grasp, yet omnipresent. It catches us by surprise, at the least expected moments and for the most diverse reasons: when we say something unseemly in public, or because of the smaller or larger imperfections of the body.

But we also feel shame about poverty or psychological problems. Whether we want this or not, shame has an influence on everything we do. Shame is a personal as well as a social phenomenon: each person, but also each culture, deals with it in a different way. The exhibition Shame explores this field along different lines: by means of objects from other cultures, historical psychiatric documents or actual witnesses.

Modern and contemporary artists represent this feeling in paintings, sculptures, photographs and video. Community Hospital is a group exhibition in a former Chinese medical clinic space situated in a previous-era colonial house. The participating international and local artists will be exhibiting works that reflect on philosophical, personal and social issues. Where art raises awareness, can be cathartic, or is even the cause.

Each cross medium artwork exhibited each picture a certain problem. Over the past two decades, artists from the Far-East have been the object of a selective attention. Either in solo shows or group exhibitions, they have frequently featured in both private and public spaces. Thus, the matter under our current consideration presents a group show of Chinese, Korean, Japanese and Taiwanese artists, originating from the initiative of Jiyun Kim and Claire Myhill who have used their experience in this field to follow closely the artistic adventure of each of the artists they have chosen.

They invite us to a discovery — or a re-encounter in certain cases — of their artists, unhesitatingly bringing together in the same space established artists and promising young talents. The highlighting of these points of interest, many of which have been overlooked before, reflects a number of factors.

In relation to the effects of globalisation along with the arbitrariness of the resulting financial fallout, the art of the Far East, following a prolonged period of concealment, has emerged from its isolation. It attracts us, excites our curiosity, reaches heady heights in art auctions, under the new class of super-rich collectors from China, Taiwan and the West.

And this fever has spread to Japan and Korea, to a lesser degree. These soaring prices, let us not forget, follow radical changes in East-West relations, with the progress of western nations now also dependent on the economic situation of the states of south-east Asia.

And yet, the attraction of the West is by no means a recent phenomenon for Chinese, Korean and Taiwanese artists, initially encouraged by French missionaries, during the period of the Ming dynasty in China and propounded by the diverse diasporas since the end of the 19th century.

All of this in spite of the various armed conflicts leaving lasting marks, including the civil war, the impositions of the cultural dogma by the State, and the legacy of soviet Russia. As a result of such factors, the evolution of Chinese, Korean and Taiwanese art during the twentieth century has followed an entirely separate path to that of Western art. In Japan, modern art begins to emerge during the Meiji era and undergoes the terrible shock of the Second World War, before re-emerging in all mediums at the outset of the sixties.

Whereas Korea, traumatized by a fratricidal war and successive dictatorships, will not recover its forces until after the Olympic Games of Huge advances in mass communication brought have both brought down barriers of isolationism and led to increasingly standardised ways of expression, favouring cultural nomadism and the adoption of trends of the moment.

Today, each of the nations represented in this exhibition can consider itself represented by prominent artists who have a place on the international scene, whose artistic path has, for the most part, achieved recognition away from their motherland. A carefully considered range of mediums are brought together in the same space in the current exhibition — sculpture, painting, drawing, installations and mixed media — which each artist exploits and deepens in accord with their own respective language, as a challenge to expression.

We may detect references concerning identity, religion, similarities coincidental or intended with predecessors, allusions to the natural world, to art history, social issues. This does not detract from the singularity of the artists, from both young and older generations. If there is a common denominator to be found within this mosaic of interventions, it is not so much in the form or the concepts, but rather in the geo-cultural roots of the artists.

But in the final analysis, what they aim to transmit is all the relentless force that each of them carries inside of themselves, and their vision of the order and disorder of the world. Inkjet print on Harman FB gloss Baryta paper, 40x50cm, ed.

Courtesy ifa gallery A. Nel , Petr Lovigin passa alla fotografia digitale a colori accompagnata da un complesso lavoro di fotomontaggi. My Louis! Archival print on Hahnemulhe paper, 40x50cm, ed. Il contrasto diventa poesia. It is also an invitation to take a wandering trip through a fantasyland created by the artist.

In his first series called Fall in Love, Pietr Lovigin deals with analogue black and white photography. A couple seems to float through surrealist situations, as if in a dream guided only by themselves. They stand away from everyday life and invite us to share their imagination.

In , Petr Lovigin moves on to digital colour photography, accompanied by a complex, manual work of photomontage and successive filters. In the series What a Wonderful World! Amongst this wanders Louis Armstrong, the jazz icon, carrying a suitcase. Or rather, a young Louis reincarnated in the fantasy world of Petr Lovigin. The image is both rigorously constructed — the artist has an architectural education- and interpreted through a fantasy vision, imbued with elements such as Russian traditional motifs or incongruous figures.

Petr Lovigin is an artist born in in Yaroslavl in Russia. He is one of the most celebrated bloggers of the young Russian generation. His visually forceful works have twice graced the covers of Courrier International. Click for Essential Matters Brochure. It seems rare to see a show of just drawings- the lush efforts of a pencil line across paper or an ink pen, are things I remember from art school, where I learned to appreciate the subtlety of lines across paper, but in contemporary terms, drawing gets the short end of the stick.

Drawing and what an exhibit at IFA Gallery, takes a risk and pushes the ideals of drawing to the forefront, even including pieces that are impressions of images made on paper with invisible lines. How is this possible? Well, we have all drawn on a notepad, torn the page off and seen the impression of what we wrote previously in a white indent. Take this idea and then flip the paper over and you have the works of Zane Mellupe , her drawings are an ingenious mixture of the ideals of printmaking and drawing together, an impression made on paper with a pencil, but without any color at all- a pencil trace drawing.

One wants to touch them, press on them, but they are behind glass. Wonderful impressions of cityscapes and figures within these drawings , seem to be traces of something, an echoing of what happened somewhere, conveying a message of investigative inspiration, a need to look further on a path. Zhu Ye takes another step using wood to draw, or rather using lines in wood made with printmaking tools. She was inspired from learning woodblock printing, and loved the plates themselves and experimented with how the textured lines engraved in wood looked with surface areas painted instead of inked.

Are these drawings? Yes, somehow they are, they feel and mimic and justify line as a form that might just come off of the page and burnish you. Zhu Ye explains that in the past she made sculpture, taking inspiration from the idea that line could become physical three dimensional form passing through a room. She has a studio in the heart of M50, former warehouses turned into art galleries and studios here in Shanghai, now the hub of the Shanghai art scene.

There is a clean and crisp line and form in these works that are somehow elegant and awkward in the same moment. She is from Shanghai, but studied in the UK and her influences from studying Chinese painting and experiencing contemporary art in Europe, show through.

She is also dating Christophe Demaitre , another artist in the show, and there is a relationship in their work as they both use figures shaped through line and subtle colors, but they are quite different. Demaitre is from Belgium and his work uses figures over a ground to tell stories, secret ones, it seems.

He uses black ink to create shadow shapes and flowing lines overtop of these pages as though they are unrelated, one just moving across another, an ant travelling across a page. It is familiar, but there is a graphic quality that makes one think of logos at times and at others something more sensitive and natural. His piece, Unreadable Dance, is a combination of gestures almost splashed across the pages of a book, they are just about to move out of the scene in a vivid expression of drawing as a fluid moment attempting to capture the human form.

Xiangdong places everything from fish and mice to little people inside carefully drawn lines of condoms. It is a provocative series, nonsensical, surrealist, lush with delicate lines and details, showing yet another facet of the art of drawing. This show is a tribute to drawing and all of its potential manifestations in a myriad of materials with a dramatic variation in content. Qui sont-il? A voir. Galerie Libre Cours, rue de Stassart , Bruxelles.

En collaboration avec ifa gallery. We are torn between two eternities. Awaiting us at the end of our timeline is either salvation in heaven or demise in hell. Have we already arrived? His other works are far more complex.

Sins with regrets. On the table is enough alcohol to bathe an elephant. On top of the scroll is a pen for you to add your own. Lastly the east wall holds a strange, out of place, piece. Under her left eye is a barely noticeable tear.

After escaping the sins, you make your way to Purgatory. It can be really decisively intense, like love or hate. They act as a warning. On the wall is a chalkboard with some spare chalk. The series go on the body of water becomes larger. These represent the stories lost to time, never to be told again.

Now we enter into the darkest reaches of ourselves, the Hell. Each one shows the dark humor behind death. So ends our journey through Hell, Doubt, Heaven, and Purgatory. Water benefits all things without contention, and collects in places others dislike. VFF has historically been undervalued compared to less profitable peers, but we expect shares to continue working higher … as the prospect for US reform increases throughout the year.

The company is involved in both the medical and recreational sides of the market, and both grows and produces cannabis and markets a range of products through numerous brand names. Growth has been fueled by expansion of the cultivation operations in California and Pennsylvania, and by the move into the adult-use recreational market in New Jersey.

Last month, TerrAscend closed a non-brokered private placement stock sale, putting more than 18 million common shares on the market. We have been bullish on the company since initiating coverage last year and are happy to say the TRSSF team has exceeded our expectations, generating rapid increases in margins and operating leverage that have earned them a place solidly in the Top Tier of MSOs," Des Lauriers noted.

Disclaimer: The opinions expressed in this article are solely those of the featured analysts. The content is intended to be used for informational purposes only. It is very important to do your own analysis before making any investment. Retirement account owners have long had trouble translating the money in their k into income. For all the attention given to the argument that the stock market is in a bubble, it is important to point out that not everyone shares that view. In a monthly webinar, Wood made the argument against stocks being in a bubble.

Bloomberg -- Apple Inc. The secret project has gained momentum in recent months, adding multiple former Tesla Inc. The initiative, known as Project Titan inside Apple, is attracting intense interest because of its potential to upend the automotive industry and supply chains, much like the iPhone did to the smartphone market.

The following companies -- whose representatives declined to comment -- are possible candidates:FoxconnFoxconn Technology Group already has a close relationship with Apple. For well over a decade, it has been the U. It also plans to release a solid-state battery by MagnaMagna, based in Ontario, Canada, is the third-largest auto supplier in the world by sales, and has a contract-manufacturing operation with years of experience making entire car models for a variety of auto brands.

Magna produces everything from chassis and car seats to sensors and software for driver-assistance features. Magna also pitches its engineering and manufacturing services to EV startups. Last fall, it agreed to provide Fisker Inc. Hyundai or KiaHyundai Motor Co. Hyundai and Kia both have plants in the U.

While the two sell EVs derived from existing models, they will start selling vehicles based on the dedicated EV platform from March, helping to bring down costs and improve performance efficiency. They plan to introduce a combined 23 new EV models and sell 1 million units globally by The big disadvantage Hyundai and Kia have is the recent back-and-forth on whether they are developing a car for Apple, a notoriously secretive company.

After pursuing a strategy of volume at any cost that ate into profit, Nissan needs to attract higher-paying customers largely with the technology inside of its cars. StellantisOne factor in determining the suitability of a partner for Apple may be availability of production capacity.

Stellantis is under pressure to find synergies after forming last month through the merger of PSA Group and Fiat Chrysler. For more articles like this, please visit us at bloomberg. Investors in growth stocks should seek stocks boasting strong institutional sponsorship.

Here are some names that are being snapped up by funds. The Buffett Indicator has gone haywire of late. The market rally wobbled Wednesday, as Tilray led big moves in climax-type stocks. Nvidia stood out while Tesla's retreat could end up being bullish. Coronavirus, of course. Or more precisely, a vaccine to fight it. Yesterday, Nakae took another look at Ocugen at its present share price, and declared it overpriced, downgrading the shares to Neutral i.

To watch Nakae's track record, click here Why is Nakae having second thoughts about Ocugen now? Valuation is obviously a concern, and certainly the primary one. After all, hype aside, Ocugen stock is a company almost entirely devoid of revenues. At its current market capitalization, therefore, Ocugen stock sells for a mind-numbing 40, times trailing sales, which is kind of a lot. Now, what must Ocugen do to justify this valuation -- one that's not just "sky high" above fair value, but more orbiting somewhere out past Saturn?

Although Covaxin has an ongoing Phase III clinical trial, that's happening in India, and Nakae thinks that even after initial results are in probably in March , the company may need to conduct an additional study in the U. Next, Ocugen will need to set up manufacturing operations to produce the vaccine in the U. This will of course cost money, and this is probably one reason why Nakae predicts the company "will likely need to raise debt or equity funds in the future.

Finally, once manufacturing has been set up and the vaccine goes on sale, the company will have to compete with multiple other vaccines already on the market -- and then split any profits that do result with its partner Bharat. And of course, all of this only happens if the vaccine proves effective, and safe enough to convince the FDA to issue the EUA. So how long will all of this take? How long before Ocugen turns into something resembling a business, as opposed to just a "coronavirus play?

EW BETTING TIPS

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Non uso sempre delle modelle professioniste. I fotografi, condividendo le loro visioni del mondo, possono contribuire a colmare il divario di genere e migliorare la comprensione reciproca. Per trovare altre fonti di ispirazione, sfogliate la nostra speciale galleria Adobe Stock dedicata alle artiste. Adobe sta cambiando il mondo attraverso esperienze digitali.

Per ulteriori informazioni su Adobe, visita www. Adobe Stock , eventi , fotografia. Adobe Stock , Adobe Stock , fotografia 78 , trend 7. Adobe Italia Adobe sta cambiando il mondo attraverso esperienze digitali. Next post. The best free college basketball picks and ncaa predictions from top handicappers with track we provide the best college basketball predictions, covering you for all lined games all season long.

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Non uso sempre delle modelle professioniste. I fotografi, condividendo le loro visioni del mondo, possono contribuire a colmare il divario di genere e migliorare la comprensione reciproca. Per trovare altre fonti di ispirazione, sfogliate la nostra speciale galleria Adobe Stock dedicata alle artiste.

Adobe sta cambiando il mondo attraverso esperienze digitali. Per ulteriori informazioni su Adobe, visita www. Adobe Stock , eventi , fotografia. Adobe Stock , Adobe Stock , fotografia 78 , trend 7. Adobe Italia Adobe sta cambiando il mondo attraverso esperienze digitali. Next post. Expert free betting predictions for every basketball match. All basketball predictions at bettingexpert feature the following information check out our basketball tipsters and their basketball predictions and start following them today.

Includes round by round survival predictions for all ncaa teams. Before making any baylor vs. Oqkuuuoywoytbm from freepicks. We cover all of the college basketball action fromt he opening tip to march madness giving you the best. The official instagram account for baylor basketball. Want some action on college basketball? A press conference about the game and a review of the iowa state contest.

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Tips and predictions for basketball leagues. Katz is very confident in the bears' ability to score against the cowboys and shut. Baylor youth has the highest level college exposure. Matches are sorted by propability.

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Baylor basketball press conference for oklahoma: Detailed betting tips made by our expert team. Free basketball predictions. January 20, Follow baylormbb on twitter and fb baylor basketball.

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Through the neuroscience research, he has inferred visual relations between the X-rays and other scientific representations of brain activity with visual and sonic stimulation. Li Chevalier non ama i confini, i dettami di rigide tradizioni o scuole. Il suo concetto estetico di bellezza interroga i nessi che modellano il nostro dialogo interculturale. Li Chevalier afferma di essere profondamente contemporanea ma rifiuta appassionatamente i precetti del nichilismo estetico.

Le sue opere hanno un carattere primordiale. La concatenazione verticale dei differenti accordi arricchisce la composizione. Trademarks have an enormous impact on our daily lives. Along with logos and trade names they are often barely noticed, but provide instant recognisability and an identity for products, services and their users.

Are you curious about the stories behind originality and personal branding? Brace yourself for a rollercoaster of days of logo mania. For this fourth edition, the revamped festival extends to Genk as a partner city. The festival opts for a bottom-up structure, in which existing and new initiatives are enhanced by collaborative relationships with curators, art institutions and private partners. This approach guarantees an extremely diverse range of arts, curated by a diverse and multifaceted team of curators.

Clustering presentation, production and participation projects results in a dynamic that gives every opportunity for reflection and development. These protected brands or company names often acquire an almost magical status. Along with logos, they are part of a commercial strategy influenced by capitalism, in which our identity is closely linked to the products we buy and the services we use. We look at ourselves through a catalogue of images of the other, supplemented by decontextualised references.

Anonymity, self-reflection and social stratification are mixed into a plurality of static and moving images, in which the visitor needs to find himself. The dynamic spaces of the CCHA become more than just exhibition spaces, but prove a genuine labyrinth holding the keys to self-imagination. XIXe — Xxe. The exhibition will continue for three months. It brings together extraordinary thoughts, experiments, and experiences from different corners in the world and different lifestyles.

The exhibition calls for innovation in form and embraces improvisation to help us retrieve festive memories. Here, artists will create works during their residencies inspired by public life, quotidian experience, and their memory of faith.

Energy transforms between objects, the diversification of material forms patterned in obeisance to the conservation of energy. We can only imagine the complexity of the human mind as it offers not just one, but two or more solutions to perceived problems. Un tirage unique. Sans limites. We have asked a group of local and international artists, to express their views through a selection of mixed media installation artworks.

Several artists are researching the impact of the developments on the local communities around different urban renewal developments, the outcomes of this research will feed directly into their exhibition pieces. The first exhibition will happen in the Glass Museum Shanghai Baoshan, as part of an urban renewal project itself the chosen venue opens an interesting dialogue between the public, industry and the body politic which is explored through the involved artists expressed research.

Each graphy is an attempt by artist to create a personal dictionary of photographic works. What would happen if I write with a pencil on a negative? What would happen if I trace the outlines of photography? What if I superimpose several layers into one photography? This playful surface, however, often conceal the message of the photo in slight details, monochromatism, line structuration, and barely visible traces which tell a subtle story. Who said we have enough with one word — Photography?

Zane Mellupe is stating — there are many graphies of the photo-, and each deserves its specific denomination. And what is more powerful than language in shaping the reality? A project where artist tries to grasp the multiformity of the being and get into control of it by naming it. The procedure of naming puts something into being, into the circle of communion — a person without name is not a human, is a stranger, an outcast.

A thing with no name is nonexisting — one has no knowledge what it is or what should one do with it. In the beginning there was Word, and Word was with Artist — but then, the audience has to understand the Word of the Artist, and respond. The audience cooperates in reading the graphies and lending their interpretation to them. There is no abstract meaning of words — the use of words is their meaning, as Ludwig Wittgenstein said.

There is no objective photography — the visual images have to be read and interpreted in very much the same way as words. An artist can invent a language and impose a perspective upon viewers but ultimately the audience have to accept and cooperate — talk back to the artist.

As in any living language — not all words are taken up and used by general public. This retrospective builds a bridge between his earliest works and the final one, showing the tools and methodologies the artist used over his career. Alexandre Ouairy is a French artist and curator. He mainly focuses on law and regulatative system in design, urbanism and social behaviors.

Ms Chang Fangyuan is a Chinese curator who teaches design courses as a lecturer in Shanghai where she lives. The issue? Is Ouiary the Rachel Dolezal of the art world? How, you may be wondering, did the artist, who is obviously white, pull off pretending to be Chinese for so long? We highly doubt Ouairy will experience the same fate. That which we wish to keep hidden, becomes visible. That of which we do not wish to talk, becomes public.

From taboo to embarrassment, from primness to awkwardness, from blushing to guilty pleasures: this exhibition sheds light on shame, a feeling which is difficult to grasp, yet omnipresent. It catches us by surprise, at the least expected moments and for the most diverse reasons: when we say something unseemly in public, or because of the smaller or larger imperfections of the body. But we also feel shame about poverty or psychological problems. Whether we want this or not, shame has an influence on everything we do.

Shame is a personal as well as a social phenomenon: each person, but also each culture, deals with it in a different way. The exhibition Shame explores this field along different lines: by means of objects from other cultures, historical psychiatric documents or actual witnesses.

Modern and contemporary artists represent this feeling in paintings, sculptures, photographs and video. Community Hospital is a group exhibition in a former Chinese medical clinic space situated in a previous-era colonial house. The participating international and local artists will be exhibiting works that reflect on philosophical, personal and social issues.

Where art raises awareness, can be cathartic, or is even the cause. Each cross medium artwork exhibited each picture a certain problem. Over the past two decades, artists from the Far-East have been the object of a selective attention. Either in solo shows or group exhibitions, they have frequently featured in both private and public spaces. Thus, the matter under our current consideration presents a group show of Chinese, Korean, Japanese and Taiwanese artists, originating from the initiative of Jiyun Kim and Claire Myhill who have used their experience in this field to follow closely the artistic adventure of each of the artists they have chosen.

They invite us to a discovery — or a re-encounter in certain cases — of their artists, unhesitatingly bringing together in the same space established artists and promising young talents. The highlighting of these points of interest, many of which have been overlooked before, reflects a number of factors. In relation to the effects of globalisation along with the arbitrariness of the resulting financial fallout, the art of the Far East, following a prolonged period of concealment, has emerged from its isolation.

It attracts us, excites our curiosity, reaches heady heights in art auctions, under the new class of super-rich collectors from China, Taiwan and the West. And this fever has spread to Japan and Korea, to a lesser degree. These soaring prices, let us not forget, follow radical changes in East-West relations, with the progress of western nations now also dependent on the economic situation of the states of south-east Asia.

And yet, the attraction of the West is by no means a recent phenomenon for Chinese, Korean and Taiwanese artists, initially encouraged by French missionaries, during the period of the Ming dynasty in China and propounded by the diverse diasporas since the end of the 19th century.

All of this in spite of the various armed conflicts leaving lasting marks, including the civil war, the impositions of the cultural dogma by the State, and the legacy of soviet Russia. As a result of such factors, the evolution of Chinese, Korean and Taiwanese art during the twentieth century has followed an entirely separate path to that of Western art. In Japan, modern art begins to emerge during the Meiji era and undergoes the terrible shock of the Second World War, before re-emerging in all mediums at the outset of the sixties.

Whereas Korea, traumatized by a fratricidal war and successive dictatorships, will not recover its forces until after the Olympic Games of Huge advances in mass communication brought have both brought down barriers of isolationism and led to increasingly standardised ways of expression, favouring cultural nomadism and the adoption of trends of the moment. Today, each of the nations represented in this exhibition can consider itself represented by prominent artists who have a place on the international scene, whose artistic path has, for the most part, achieved recognition away from their motherland.

A carefully considered range of mediums are brought together in the same space in the current exhibition — sculpture, painting, drawing, installations and mixed media — which each artist exploits and deepens in accord with their own respective language, as a challenge to expression. We may detect references concerning identity, religion, similarities coincidental or intended with predecessors, allusions to the natural world, to art history, social issues.

This does not detract from the singularity of the artists, from both young and older generations. If there is a common denominator to be found within this mosaic of interventions, it is not so much in the form or the concepts, but rather in the geo-cultural roots of the artists. But in the final analysis, what they aim to transmit is all the relentless force that each of them carries inside of themselves, and their vision of the order and disorder of the world.

Inkjet print on Harman FB gloss Baryta paper, 40x50cm, ed. Courtesy ifa gallery A. Nel , Petr Lovigin passa alla fotografia digitale a colori accompagnata da un complesso lavoro di fotomontaggi. My Louis! Archival print on Hahnemulhe paper, 40x50cm, ed.

Il contrasto diventa poesia. It is also an invitation to take a wandering trip through a fantasyland created by the artist. In his first series called Fall in Love, Pietr Lovigin deals with analogue black and white photography.

A couple seems to float through surrealist situations, as if in a dream guided only by themselves. They stand away from everyday life and invite us to share their imagination. In , Petr Lovigin moves on to digital colour photography, accompanied by a complex, manual work of photomontage and successive filters.

In the series What a Wonderful World! The initiative, known as Project Titan inside Apple, is attracting intense interest because of its potential to upend the automotive industry and supply chains, much like the iPhone did to the smartphone market. The following companies -- whose representatives declined to comment -- are possible candidates:FoxconnFoxconn Technology Group already has a close relationship with Apple.

For well over a decade, it has been the U. It also plans to release a solid-state battery by MagnaMagna, based in Ontario, Canada, is the third-largest auto supplier in the world by sales, and has a contract-manufacturing operation with years of experience making entire car models for a variety of auto brands.

Magna produces everything from chassis and car seats to sensors and software for driver-assistance features. Magna also pitches its engineering and manufacturing services to EV startups. Last fall, it agreed to provide Fisker Inc. Hyundai or KiaHyundai Motor Co. Hyundai and Kia both have plants in the U.

While the two sell EVs derived from existing models, they will start selling vehicles based on the dedicated EV platform from March, helping to bring down costs and improve performance efficiency. They plan to introduce a combined 23 new EV models and sell 1 million units globally by The big disadvantage Hyundai and Kia have is the recent back-and-forth on whether they are developing a car for Apple, a notoriously secretive company.

After pursuing a strategy of volume at any cost that ate into profit, Nissan needs to attract higher-paying customers largely with the technology inside of its cars. StellantisOne factor in determining the suitability of a partner for Apple may be availability of production capacity. Stellantis is under pressure to find synergies after forming last month through the merger of PSA Group and Fiat Chrysler. For more articles like this, please visit us at bloomberg. Investors in growth stocks should seek stocks boasting strong institutional sponsorship.

Here are some names that are being snapped up by funds. The Buffett Indicator has gone haywire of late. The market rally wobbled Wednesday, as Tilray led big moves in climax-type stocks. Nvidia stood out while Tesla's retreat could end up being bullish.

Coronavirus, of course. Or more precisely, a vaccine to fight it. Yesterday, Nakae took another look at Ocugen at its present share price, and declared it overpriced, downgrading the shares to Neutral i. To watch Nakae's track record, click here Why is Nakae having second thoughts about Ocugen now?

Valuation is obviously a concern, and certainly the primary one. After all, hype aside, Ocugen stock is a company almost entirely devoid of revenues. At its current market capitalization, therefore, Ocugen stock sells for a mind-numbing 40, times trailing sales, which is kind of a lot. Now, what must Ocugen do to justify this valuation -- one that's not just "sky high" above fair value, but more orbiting somewhere out past Saturn?

Although Covaxin has an ongoing Phase III clinical trial, that's happening in India, and Nakae thinks that even after initial results are in probably in March , the company may need to conduct an additional study in the U. Next, Ocugen will need to set up manufacturing operations to produce the vaccine in the U. This will of course cost money, and this is probably one reason why Nakae predicts the company "will likely need to raise debt or equity funds in the future.

Finally, once manufacturing has been set up and the vaccine goes on sale, the company will have to compete with multiple other vaccines already on the market -- and then split any profits that do result with its partner Bharat. And of course, all of this only happens if the vaccine proves effective, and safe enough to convince the FDA to issue the EUA. So how long will all of this take? How long before Ocugen turns into something resembling a business, as opposed to just a "coronavirus play?

The current outlook offers a conundrum. On the one hand, based on 3 Buys and 1 Hold, the stock has a Strong Buy consensus rating. It will be interesting to see whether the analysts downgrade their ratings or upgrade price targets over the coming months. Disclaimer: The opinions expressed in this article are solely those of the featured analyst. The green energy industry has been red-hot throughout Here are the 2 companies could do very well in But large companies have been investing in Tesla for many years.

The company also invested. Photo courtesy of Tesla. Benzinga does not provide investment advice. All rights reserved. Jim Cramer sees froth in the stock market Wednesday. Here's where he's putting his attention.

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